2017-2018: Digital Humanities and Transnational Art History
- 1.ARTL@S Seminar 2017-2018 : Opening
- 2.Béatrice Joyeux-Prunel : Why Not Map ?
- 3.The Artlas Databases : GEOMAP and the ARtlas Exhibition Database. Opening of the Test Phase
- 4.Béatrice Joyeux-Prunel: Exhibition catalogues and their use for art history
- 5.Elitza Dulguerova (INHA) : The Biennale de Paris. Issues of a Research Program.
- 6.Louis Gevart (PhD in Art History) : De jardin en jardin – La ronde des expositions internationales de sculpture en plein air dans l’Europe des années 1950
- 7.Cecilia Fajardo-Hill : the making of the Exhibition « Radical Women in Latin American Art 1960-1985 »
- 8.Thomas DaCosta Kaufmann (univ. de Princeton) : Tales of Trousers. Global clothing, history, and art history
- 9.B. Joyeux-Prunel : Digital Cartography: An Introduction, 1.
- 10.Elodie Vaudry : « Pre-colombian » // Alice Bombardier : The Biennials of Tehran (1958-1966)
- 11.Léa Saint-Raymond – Close and distant reading of art circulation in auctions
- 12.B. Joyeux-Prunel : Digital Cartography: An Introduction, 2.
- 13.Béatrice Joyeux-Prunel : Managing Big Corpora of Sources Digitally
- 14.Alexandre Kazerouni (PSL) : Les biennales comme outil d’analyse de la relation entre libéralisme culturel et autoritarisme dans le monde islamique depuis les années 1960
- 15.Artl@s Lab’ : Managing Big Corpora – Workshop
- 16.Adriana Ortega Orozco : Mexico at the Venice Biennial, 1950
- 17.WAS – Women Artists Shows·Salons·Societies (Catherine Dossin, Hanna Alkema)
This lab is to help students find and use efficient methods to deal with important corpora of sources, be they made of texts, images, or catalogues. Questions such as Text encoding (TEI), databases, and digital cartography will be addressed.
Students are invited to come with their own data and questions.
Thursday, May 3, 2018 13:30-15:30.
Salle de l’IHMC, 45 rue d’Ulm, Paris, Escalier D, 4th Floor (3e étage).